Enon Hocus-Pocus Touch And Go By: Eric Greenwood For a band that has built its reputation on charging in unpredictable directions, Enon's third album feels strangely ho-hum and disappointingly underdeveloped. Last year's acclaimed High Society set the bar fairly high for Enon's spastic, schizophrenic pop confections, but Hocus-Pocus never makes good on the promise that […]

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Murder By Death Who Will Survive And What Will Be Left Of Them? Eyeball By: Eric Greenwood Not only has the name changed, but the music has, too, for this Bloomington, Indiana quintet. The former Little Joe Gould sounds like a new band on its darkly thematic and stunning sophomore album. Where introspection, elegiac melodies, […]

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The Rapture Echoes Strummer/Universal By: Eric Greenwood Despite what you'll invariably read elsewhere, The Rapture's sloppy, clanging post-punk rage is completely hit or miss, and this long-awaited full-length is the definition of anti-climactic. For every badass mind-fuck like "Out Of The Races And Onto The Tracks", there are twice as many unlistenable duds in the […]

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Swell Whenever You're Ready Beggars Banquet By: Eric Greenwood Even in its heyday, which is now almost a decade past, Swell was always criminally ignored, except by the French for some inexplicable reason… So, a new Swell album released in 2003 will no doubt be met with similar apathy here in the United States. It's […]

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Erase Errata At Crystal Palace Troubleman By: Eric Greenwood Erase Errata has been riding a wave of hype since its debut, Other Animals, allowed crusty white kids that haven't the faintest idea how to dance a chance to take over the floor without shame for their collective lack of rhythm. Erase Errata's brand of art […]

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