Entries Tagged as 'album-review'

Fitzgerald, Light A Match And Let It Burn Slowly (2024)

July 16th, 2004

Fitzgerald Light A Match And Let It Burn Slowly 2024 By: Eric Greenwood Most of the time it's easy to guess what genre an album is just by glancing at the artwork. This is, admittedly, a pretty shallow practice, but it's a knee-jerk reaction, deeply imbedded in my brain. I've always done it, and I […]

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Fuck, Those Are Not My Bongos (Future Farmer)

July 16th, 2004

Fuck Those Are Not My Bongos Future Farmer By: Eric Greenwood Ignoring the fact that this band is called Fuck would be way too passive aggressive. But at the same time, I hate being forced to comment on it. It's neither shocking nor particularly clever. It's just awkward- like when a retarded kid farts and […]

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The Cure, The Cure (Geffen)

July 15th, 2004

The Cure The Cure Geffen By: Eric Greenwood Why can't Robert Smith ever quit while he's ahead? If The Cure had broken up after The Prayer Tour in 1989, supporting its masterpiece, Disintegration, the band would have an unshakable, absolutely bulletproof legend. But, no, Smith had to keep pushing and pushing until his beloved creation […]

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Mission Of Burma, OnOffOn (Matador)

July 14th, 2004

Mission Of Burma OnOffOn Matador By: Eric Greenwood Seeing Mission of Burma last year was truly one of the most exciting concerts of my life. I couldn't believe it was actually happening. I'd long since given up the idea that a band I was too young to have experienced in its heyday would ever tour […]

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Muse, Absolution (Warner Bros.)

July 14th, 2004

Muse Absolution Warner Bros. By: Eric Greenwood Matthew Bellamy's voice is so similar to Thom Yorke's that it makes me uncomfortable for him. He even has Thom Yorke's exaggerated, breathy gasp and awkward facial ticks down pat. This is not news to Muse, however, who have been beleaguered with the Radiohead imitators tag since its […]

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The Magnetic Fields, I (Nonesuch)

July 14th, 2004

The Magnetic Fields I Nonesuch By: Eric Greenwood On 69 Love Songs, Stephin Merritt all but abandoned his signature tinny electronic sound in favor of the baroque setting yielded by cello, guitar, and that unmistakable baritone. Five years later, Merritt revisits his most substantive moniker with a collection of songs linked loosely by the lonely […]

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The Good Life, Lovers Need Lawyers (Saddle Creek)

July 14th, 2004

The Good Life Lovers Need Lawyers Saddle Creek By: Eric Greenwood The Good Life is Tim Kasher from Cursive's less, abrasive, more emotional (if that's even possible) "other" band. Kasher feels he can't quite express his "softer" side in Cursive (though, I'm not sure how much softer one can get than bearing one's soul, but […]

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