The Pit That Became A Tower Behold! The Unseen Men Of Israel By: Kerry M Profits (of the non-financial sort), Kings, Salvation and Faith pervade the lyrics of Behold! The Unseen from The Pit That Became a Tower, the sonic outlet for singer/songwriter Adam Lee Rosenfeld, an American Messianic Jew living in Israel. The Pit […]

[Read more →]

We Are Wolves Non-Stop Je Te Plie En Deux Fat Possum By: Eric Greenwood Ahh, dance punk- the music of the future of the past that's presently inescapable and instantly recognizable, even with shrill electronic noises trying to pull your ears away from the obvious trend. Montreal's We Are Wolves infuse the ubiquitous robotic high-hat […]

[Read more →]

Clap Your Hands Say Yeah Clap Your Hands Say Yeah Self-Released By: Eric Greenwood I hate it when bands publicly deny obvious influences. It's just so pretentious to act like a band you so clearly take after was of no consequence to your development whatsoever. I guess it's just a defensive reaction to the inevitable […]

[Read more →]

Wolf Parade Apologies To The Queen Mary Sub Pop By: Eric Greenwood One of the most anticipated indie releases of the year is Wolf Parade's Apologies to the Queen Mary, which quickly follows the band's critically lauded self-titled EP from July. With Isaac Brock behind the controls for much of the album, a Modest Mouse […]

[Read more →]

Kanye West Late Registration Roc-A-Fella By: Eric Greenwood Kanye West's rise to utter ubiquity has not been without skill. He's a polarizing figure whose mouth may know no bounds (“George Bush doesn't care about black people”), but he's clearly a talented pop writer, despite his MC skills being a tad sluggish. Late Registration, his follow […]

[Read more →]

Iron In The Reins Overcoat By: Eric Greenwood Columbia, South Carolina native Sammy Beam's Iron and Wine hooks up with Tucson, Arizona's Calexico to blend Beam's soft, dreamy narrative with the latter band's obsession with Southwestern nuance and Ennio Morricone on In the Reins. The result is gorgeous, lush, and surprisingly optimistic, where it easily […]

[Read more →]

Sigur Ros Taak Geffen By: Eric Greenwood Three years after its sepulchral () album, Sigur Ros returns with its best impression of what this Icelandic quartet deems upbeat. Takk is sharper and more direct than anything the band has previously churned out, but that is not to say it's by any means accessible by normal […]

[Read more →]