At this point I don’t think you can call it luck that TV on the Radio has ridden a decade long wave of overwhelmingly adoring press. Must be doing something right. I’ve never been much more than a cursory admirer, following the band’s trajectory only loosely. I saw TVOTR open for Bauhaus and Nine Inch Nails in 2006, and I’ve got a few of their records. But I’ve yet to be blown away, despite all the accolades. I cringe at the concept of bands being “overrated” because it seems paradoxical to say so. I may be coming around, though. When I first heard “Happy Idiot” it instantly clicked with its unabashed new wave hooks, which is a first for any song by TVOTR and me. Seeds came out Tuesday, and I’ve had a hard time not keeping it on repeat.
An old friend and fellow WUSC alum pointed me to this amazing documentary of early punk and new wave compiled from Tony Wilson’s “So It Goes” series that was originally shown on Granada TV on Channel 4 in the UK. It features (in order) Sex Pistols, Elvis Costello, Buzzcocks, John Cooper Clarke, Iggy Pop, Wreckless Eric, Ian Dury, Penetration, Blondie, Fall, Jam, Jordan, Devo, Tom Robinson Band, Johnny Thunders, Elvis Costello, XTC, Jonathan Richman, Nick Lowe, Siouxsie & the Banshees, Cherry Vanilla & Magazine. [via]
What a way to introduce Rocket from the Crypt to my kids. I have to admit this is one of the better reunion ploys. No cash grab tour with dutiful live album following suit. Just a limited edition 7″ available via Volcom retailers after September 21st. The b-side is a collaboration between Biz Markie and The Flaming Lips’ Wayne Coyne. [via Pitchfork]
I know this is a few days old, but, holy eff, Bob Mould just slays his new single here. I haven’t been into a Bob Mould solo record since maybe high school. Silver Age, out now on Merge, sounds more like Sugar than Hüsker Dü, but I’ll take it.
Despite Paul Banks’ active promotion of his impressive solo debut, Julian Plenti is…Skyscraper, the fourth Interpol album is still on track for release in early 2010. Drummer Sam Fogarino has even alluded to its close relationship to Interpol’s darkly expansive 2002 debut, Turn on the Bright Lights, telling Paste Magazine, “In trying to move forward, there was an unspoken realization that you can’t let go of your sonic-defining tag.” An intriguing sentiment. While The Strokes argue over whether their new songs veer too far from the band’s core sound, Interpol is retreating back to familiar ground, which can get tricky. It’s difficult for a band to move forward while maintaining one foot in the past. At least calculatedly so. In some respects it’s only natural to maintain consistency, but it’s another story to try to recreate the zeitgeist of a career-defining sound. The cynical take is that this is purely to please fans and critics, who may have fallen off the band’s successive efforts, but as a fan of all three Interpol records, I’m willing to allow for the requisite benefit of the doubt.
Julian Plenti Tour Dates:
11/24 – Bowery Ballroom New York, NY
11/25 – Brooklyn Bowl Brooklyn, NY
12/02 – Academy Manchester, UK
12/03 – Scala London, UK
12/06 – Melkweg, Amsterdam, NH
12/08 – Cologne, DE Kulturkirche
12/09 – Berlin, DE Festaal
12/11 – Vienna, AT Arena Vienna
12/12 – Milan, IT Magazzini
12/13 – Paris, FR Alhambra Theatre Music Hall
Gossip Girl’s Taylor Momsen, the sixteen year-old actress who plays Jenny Humphrey on the teen soap, fronts a band called Pretty Reckless. Of course, she does. This is the third cast member to parlay tween fame into a burgeoning music career. Ed Westwick has his Pete Doherty homage and Leighton Meester has been testing the waters for potential pop domination. Momsen certainly looks the part for the leader of a brash, punk(ish) outfit what with that raccoon eye makeup and the babydoll straw hair. All she needs is a few bruises on her legs and she’s a dead ringer for Courtney Love, except she can sing in tune. [via Idolator]